![]() ![]() Since there are several models available, this one can be used on almost any type of audio in any genre. ![]() Tip: Run a Fender Jazz bass through it and your neo soul licks will sound just like theyre supposed to. One of the developers friends dad had an old bass amplifier that we borrowed and profiled. The guitar amp used is a well known pro amp used by several pro guitar players, and Just like the Preamp Tube profiles, these are recorded with two different input gain levels. Used on only one channel, this profile is very subtle, but the impact adds up when several channels are used simultaneously. These two profiles are captured from a high end tube microphone preamp with two different input gain levels (normal gain on the Clean version and a boosted level on the Drive version). Adds some subtle tape saturation that oozes mid 70s. Set to one channel mode, there was plenty of dynamic bandwidth to capture on this one. This profile adds some nice grit in the lower mids and rolls off the higher spectrum in a very pleasant way.Ī high quality tape reel machine was used for this profile. This data is used to transform input audio to output audio.Ī consumer cassette deck produced in the mid 80s. The 7 models available are based on real analog gear individually measured in two dimensions gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. ![]() And it seems to do so for a great many people.This AUv3 plugin effect is a complex spectral saturation processor simulating a set of different analog gear in a new and unique way. Whether REAMP will compare favorably to an actually reamped signal is also a separate issue from whether REAMP adds desirable characteristics along the line of reamping. While re-amping will sound better than a simulation if you have access to a great amp, clean power source, a high-quality mic and good acoustic environment, re-amping might sound worse or no better than a good simulation if you you don’t have all the required elements. ![]() We can feel it instantly, but understanding it properly takes a few science and math classes, and an open mind, open senses, unlimited observation. Add a touch of reverb to simulate different room types/sizes and you will be glad you spent £10 on an app, which can be just as usefully applied to drum tracks, vocals, synths, etc, rather than putting yourself through some exercise in order to feel that you have earned enough recording stripes to use a said:Īcoustics, and audio engineering, is a very complicated science. Then, later, you can go and use simulations.īut ReAmp is so much more than a mic’d guitar amp sim.Īnd what if you don’t have access to a good amp and mic, or the space to set them up properly? Chances are it will not sound better than an app specifically created for this purpose. It is not only worth the effort, it is essential to learn all the details. When experimenting with acoustic effects, it is best to do it with real loudspeakers in real rooms and real microphones. Much better than emulations, because you can adjust the microphone position, and change microphones. Then put a microphone in front of it and record. You may find a guitar amp from a friend or collegue. ![]()
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